

Where the Sidewalk Ends
Det. Sgt. Mark Dixon wants to be something his old man wasn't: a guy on the right side of the law. But Dixon's vicious nature will get the better of him.
















14 March 1921, St. Louis, Missouri, USA

23 September 1904, Glencoe, Illinois, USA

6 March 1917, Chicago, Illinois, USA

22 October 1910

January 12, 1897 in Chicago, Illinois, USA

5 May 1908, Philadelphia, Pennsylvania, USA

January 29, 1921 in Endicott, New York, USA

9 November 1889, Melbourne, Victoria, Australia

March 21, 1894 in New York City, New York, USA

May 1, 1888 in Deer Lodge, Tennessee, USA

8 July 1918, Liberty, Missouri, USA

14 November 1928, Hollywood, California, USA

March 24, 1885 in Boston, Massachusetts, USA

11 December 1910, New York City, New York, USA

6 January 1902, Wisconsin, USA

September 19, 1899 in Kansas City, Missouri, USA

9 December 1897, Falmouth, Kentucky, USA

August 6, 1927 in Iron River, Michigan, USA

23 July 1906, Boise, Idaho, USA

March 16, 1913 in Los Angeles, California, USA

26 February 1905, Chelsea, Massachusetts, USA

8 February 1907, South Carolina, USA

3 November 1919, The Bronx, New York, USA

28 June 1914, Great Falls, Montana, USA

17 May 1896, Trenton, New Jersey, USA

21 August 1908, Durango, Colorado, USA

September 18, 1918 in Macon, Georgia, USA

September 10, 1905 in Mount Lebanon, Pennsylvania, USA


19 November 1920, Brooklyn, New York City, New York, USA



March 26, 2005
A cool and atmospheric gangster film. It may not be particularly memorable, but it is fun to watch.
March 21, 2005
A fascinating brutish and dark film noir that is set in the corrupt milieu of the underworld.
January 18, 2007
...features several effective (and unexpected) plot twists.
March 26, 2005
The last of Otto Preminger's studio pictures at Fox, this 1950 feature has many of the noirish qualities of his Laura and Fallen Angel: Dana Andrews, ambiguity about the characters' dark undertones, and a fluid, fascinating mise en scene.
October 23, 2007
Hecht once again examines the fine line between cop and criminal with memorable results.
November 21, 2015
A beautiful system of obsessions and ambiguities
March 25, 2006
Fox may not have plumbed the depths of realism this time, but it still looks interesting, even two-thirds of the way down.
December 21, 2005
An efficient, bleak noir with an Oedipal twist.
January 26, 2006
A weatherbeaten Andrews gives one of his finest performances.
November 16, 2015
Strongly paced and gorgeously shot, the film showcases Hecht's writing at its best and is a perfect fit for Preminger.
October 23, 2007
Otto Preminger, director, does an excellent job of pacing the story and of building sympathy for Andrews.